By Lorna Hardwick, Christopher Stray
Studying the large quantity of the way within which the humanities, tradition, and regarded Greece and Rome were transmitted, interpreted, tailored and used, A significant other to Classical Receptions explores the influence of this phenomenon on either historic and later societies.Provides a finished creation and evaluation of classical reception - the translation of classical artwork, tradition, and concept in later centuries, and the quickest becoming sector in classicsBrings jointly 34 essays via a global crew of participants inquisitive about old and smooth reception options and practicesCombines shut readings of key receptions with wider contextualization and discussionExplores the influence of Greek and Roman tradition around the world, together with the most important new components in Arabic literature, South African drama, the historical past of images, and modern ethics
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Extra info for A Companion to Classical Receptions (Blackwell Companions to the Ancient World)
Rather, we want to pick up on areas of classical scholarship in which tradition has an established role – by which we mean areas where scholars have become accustomed to using the term ‘tradition’, partly for historically contingent reasons but partly also because it seemed appropriate and helpful to do so. Most famously, tradition is at the heart of Homeric studies, but books have been published in recent years also on, for example, the Epicurean tradition, ritual lament in the Greek tradition, the Augustinian tradition and the Anacreontic tradition.
Tr. Campbell) Clearly, Cowley’s poem uses the structure and conceits of the Anacreontea piece, expanding on it in length and level of rhetoric. Cowley imitates the basic sequence of the drinking earth, plants, sea, sun and moon, leading up to the question about the speaker’s own drink, but elaborates throughout and so produces a poem that is three times as long. The next point to note is that Cowley’s poem (unlike his Greek source) is clearly tied to a particular political situation. qxd 13/09/2007 09:03 AM Page 16 16 Felix Budelmann and Johannes Haubold written in the early to mid-seventeenth century by poets including Robert Herrick, Richard Lovelace, Alexander Brome and the Aeschylus editor Thomas Stanley.
The corollary is that, by then, the Homeric poems were clearly defined: they were the Iliad and the Odyssey, very much in the form in which they have reached us. Modes of Reception According to one definition, students of reception are essentially concerned with ‘the artistic or intellectual processes involved in selecting, imitating or adapting ancient works’ (this view of reception studies is discussed by Hardwick 2003a: 5). On this definition, the ‘ancient works’ in question seem to be a given.